"When I visited my old Dada colleague Tristan Tzara in Paris two years ago, he left me these parting words as food for thought for my journey: 'Don't forget that polemics always played a big part in Dada.'
I shall not be able to confine myself within the bounds of academic art-history.
I shall depend above all on my own memories and those of surviving friends.
The dates and facts of those years, the pronouncements, denials and contradictions, the theories and the works of anti-art: these are the signs by which the living Dada movement is known for what it was, an artistic revolt against art.''
(From Hans Richter's "Dada, Art and Anti Art".
Thames and Hudson 2016)
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